Last night I found myself unexpectedly, wonderfully . . .
alone. Lisa and Lu were at a sleepover
‘spa’ party, and the other kids were scattered among the grandparents. I still
had to go to work at ten, but what to do with the four hours before that?
How about the rare treat: seeing a movie in an actual
first-run theater. Gasp! For this delicious bit of wasteful spending I chose to
see the brand new James Bond movie, Skyfall,
which opened that very day.
[Yes, I saw it alone. Lisa has, to date, never once so much
as entertained the notion of going to a movie alone, citing the ‘loser’ factor,
but it’s never bothered me. Heck, I was
able to get up and go pee twice without getting heckled about my bladder. Loser? In my book that makes we a WINNER!]
Anyhow, about the movie . . .
Skyfall is the 23rd
installment in the franchise and marks the 50th anniversary of the
same. A rogue cyber terrorist named
Silva, played brilliantly by Javier Bardem, launches a one-man war against MI6
with the intent of taking down M. Bond
and M, both slightly off their game and on the outs with the establishment,
must once again rely on each other to stop Silva and end the threat to Queen
and Country.
There’s an odd duality at work in this film. It resonates,
time and again, with nods to the past and a sense of ending, and of a certain
finality to it all; yet at the same time it exudes a feeling of renewal and energy,
a certainty, not of finality, but of
relevance and necessity.
50 years ago JFK was in the White House, few people in the
heartland had heard of a place called Vietnam, and the good guys were easily
distinguishable from the bad. Flash forward to 2012; it seems ridiculous to
even ask if a Cold War icon like James Bond has a place in our world. But bit
by bit the film flips that notion on its head, leaving us to think that maybe,
just maybe, Bond was born for this
world of murky alliances and obscure enemies, and merely struggled (albeit
successfully) to fit in in the world of the Berlin Wall and Aston Martins.
Too deep for a Bond film? With respect, you haven’t seen Skyfall.
Not to worry though, it’s still a James Bond film, with
everything you expect from the series. Action? The pre-title chase scene had
more action than a lot of action films
I’ve seen. Women? Berenice Marlohe is so
stunning that I literally gasped at one point, leading me to believe she
deserves the sobriquet “breathtaking”.
Villains? Silva is a memorable one, full
of creepiness and humor, intelligence and violence. Humor? This isn’t a Roger Moore-era Bond, but
there are a fair amount of jokes sprinkled throughout. An exploration of Bond’s past? Sure,
including his parent’s cenotaph and his childhood abode. Oh, wait – we’ve never
explored Bond’s past. Until now.
[Which settles a question I’ve had for years. It went
something like this: Is 007/James Bond simply a title, a nom de plume adopted
over the years by various applicants? It would be a rational way to explain
away the different actors and the series longevity; think of it as a poor man’s
version of Doctor Who’s regeneration. Nifty to think about , but now
disproved.]
Skyfall is a great
movie. I give it a grade of an A
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