google.com, pub-4909507274277725, DIRECT, f08c47fec0942fa0 Slapinions: Everything Everywhere All at Once

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Friday, July 22, 2022

Everything Everywhere All at Once

 


We rented this movie after YaYa and Smiley independently recommended it, with one of them (I do not remember which) declaring it one of the most moving and powerful films they had seen. 

I enjoyed it, but I don't feel nearly as strongly about it. 

EEAAO is the story of Evelyn, a Chinese-American immigrant who lives in a cluttered apartment above the laundromat she owns with her husband, a man she secretly blames for the mundane life she lives. The business is under threat by the IRS, her daughter is barely on speaking terms with her, and her estranged father lives with them and does little beyond ratchet up her anxiety.  

So it is a bit surprising when Evelyn is told that she is but one of an infinite number of Evelyn's across the multiverse, and as it happens, the one Evelyn destined to stop an all-powerful entity threatening creation. 

The movie, if you can't tell, is part drama, part sci-fi, part action/kung-fu film, and part comedy. It's an unusual and  awkward mix of genres that works most of the time. When it clicks, you're delighted and left smiling at the screen. The few times it doesn't - well, it plops down with a thud. 

I think Michelle Yeoh and Stephanie Hsu were magnificent as the mother/daughter pair, and deserve award consideration. Beyond that, I don't think the movie lives up to the praise it's received. It's very good, but it isn't Citizen Kane. 

Perhaps, and I am quite serious here, the divide is purely generation. A large chunk of the film devotes itself to a nihilistic view of life, and the search to find a sliver of existence that by itself is enough to make you forget how small we are in the universe. 

That's a  subject that speaks far more to those just finding their footing in adulthood than it does someone who has seen the meaning of life reflected back in their children's eyes. 

Grade: B

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